Sunday, September 22, 2013

Luther's Latrine


I was watching a program called Horrible Histories. It is a BBC production that shows historical events, oddities and figures in comedic terms, all of it nonetheless being rigorously checked for strict historical accuracy. 




The item that intrigued me was that a visitor wanting to meet Martin Luther was shown into Luther’s office, only to find him sitting on a toilet. It seems that Martin Luther went to the toilet so much that he had his toilet turned into his office, “do my business while I do my business” as he put it to the visitor. The visitor, saying that Luther is clearly too busy to discuss church matters himself, would perhaps allow the visitor to see his Number Two, meaning second in charge. Unfortunately Luther misunderstands and shows the visitor his quite different No 2. See it at:

I was inspired by the above to look deeper into Mr Luther’s bowels, no, that doesn’t sound right; to have a closer look at his bowel movements, wait, that doesn’t sound right either. However it is expressed, here are some Lutheran facts:

A short history:

Martin Luther (1483-1546) was a German monk, former Catholic priest, professor of theology and seminal figure of a reform movement in sixteenth century Christianity, subsequently known as the Protestant Reformation. He strongly disputed the claim that freedom from God's punishment for sin could be purchased with money and confronted indulgence salesman Johann Tetzel with his Ninety-Five Theses in 1517. His refusal to retract all of his writings at the demand of Pope Leo X in 1520 and the Holy Roman Emperor Charles V at the Diet of Worms in 1521 resulted in his excommunication by the Pope and condemnation as an outlaw by the Emperor. 


Luther taught that salvation is not earned by good deeds but received only as a free gift of God's grace through faith in Jesus Christ as redeemer from sin. His theology challenged the authority of the Pope of the Roman Catholic Church by teaching that the Bible is the only source of divinely inspired revealed knowledge and opposed the belief in the necessity of priests by considering all baptized Christians to be a holy priesthood.

His translation of the Bible into the vernacular from Latin made it more accessible, which had a tremendous impact on the church and on German culture. It fostered the development of a standard version of the German language, added several principles to the art of translation and influenced the writing of an English translation, the King James Bible. His hymns influenced the development of singing in churches. His marriage to Katharina von Bora set a model for the practice of clerical marriage, allowing Protestant priests to marry. 

In his later years, in deteriorating health, Luther became increasingly antisemitic, writing that Jewish homes should be destroyed, their synagogues burned, money confiscated and liberty curtailed. These statements have contributed to his controversial status.

- Wikipedia

Health:

Luther was in ill health for many years of his life. He suffered from Meniere’s disease, vertigo, fainting, tinnitus and a cataract in one eye. In 1536, he began to suffer from kidney and bladder stones, as well as arthritis. An ear infection ruptured an ear drum. In December 1544, he began to feel the effects of angina.

After experiencing chest pains and taking to his bed, he died of a stroke in 1546 aged 62.

Luther also suffered from chronic constipation and spent much of his time in contemplation on the toilet.

Luther stated in after-dinner speeches on two occasions that Protestantism was born in the sewer: "The spiritus sanctus imparted this creation to me on dis cloaca." The words “dis cloaca” mean “in the sewer” but some historians have argued that in the above context it can mean “the world” rather than “toilet”. Most accept that the meaning was probably toilet. How about that!!! The 95 Theses were written das Klo. The birth of the Reformation was on the toilet!

(It reminds me of Robin Williams as the delusional Parry, telling Jack in The Fisher King how he first became aware of the little people he sees: “They came to me about a year ago. I was sitting on the john having one of those really satisfying bowel movements--you know the ones that border on mystical.”)


According to Professor Stefan Rhein, the director of the Luther Memorial Foundation and an acknowledged Luther expert, it was common during the period in which Luther lived to denigrate the devil in faecal terms, such as "I shit on the devil" or "I break wind on the devil". According to Professor Rhein "It was not a very polite time. And in keeping with this, neither was Luther very polite."

Luther's toilet and archaeology:

In an archaeological discovery that would be worthy of an Indiana Jones’ film, that very toilet, the seat of the Protestant Reformation, was located and unearthed in 2004. During planting of a garden at Luther’s house in Wittenberg, south-west of Berlin, Germany, the remains of a stone annex to the house were discovered. The toilet that challenged the throne of the Pope of Rome.



· According to a news report:

The 450-year-old toilet, which was very advanced for its time, is made out of stone blocks and, unusually, has a 30-square-centimetre seat with a hole. Underneath is a cesspit attached to a primitive drain. 
Other interesting parts of the house remains include a vaulted ceiling, late Gothic sandstone door frames and what is left of a floor-heating system, which presumably gave Luther an added bit of comfort during the hours he spent in contemplation. 
Professor Rhein said the foundation would stop at letting the annual 80,000 visitors to Wittenberg, who come in search of the spirit of Luther, from sitting on the toilet. "I would not sit on it. There's a point where you have to draw the line." 


"We still don't know what was used for wiping in those days," says Dr Martin Treu, a theologian and Luther expert based in Wittenberg. The paper of the time, he says, would have been too expensive and critically, "too stiff" for the purpose. 


Luther's toilet office

Some Luther quotes on the topic: 

“I’m like a ripe stool and the world’s like a gigantic anus, and we’re about to let go of each other.” 

“I resist the devil, and often it is with a fart that I chase him away. When he tempts me with silly sins I say, ‘Devil, yesterday I broke wind too. Have you written it down on your list?’”

“I am drinking beer from Namburg which tastes to me almost like the beer from Mansfeld which you praised to me. It agrees with me well and gives me about three bowel movements in three hours in the morning.”

“A happy fart never comes from a miserable arse.”


Saturday, September 21, 2013

City of Shadows


Readers who live in Sydney may be interested in an exhibition that is currently on at the Justice and Police Museum at Cnr Albert and Phillip Streets, Circular Quay, Sydney (Saturdays and Sundays, 10.00am-5.00pm) until 30 June 2014. The exhibition is called City of Shadows.

Even apart from the above exhibition the Police and Justice Museum is worth a visit in its own right. A magnificent sandstone building that once housed courts, police and cells, all of which are able to be viewed, it today has displays looking at the social history of law, policing and crime in NSW. This includes displays of underworld weapons – firearms, knuckledusters, maces, sword canes etc – and a collection of murder weapons.




City of Shadows was on at the Museum some years ago and Kate and I were fascinated by it then. When it was put back on we decided to have another look, which we did last weekend with son Thomas, and it was as interesting as the first visit. 

The exhibition is a display of selected police forensic photographs 1912-1948 with commentaries thereon, but that description does not do it justice.

Back in the late 1980’s four tons of forensic plate glass negatives taken by policemen in the early part of the twentieth century were salvaged from a flooded warehouse. The negatives, about 100,000 in number, are of criminals, crime scenes and accidents, but the accompanying paper records were destroyed in the flooding. 


That discovery resulted in the preservation of the negatives at a time when most cities and states had destroyed such archived items. Through the use of police criminal records and the Police Gazette, newspaper accounts and oral histories, it has been possible to ascertain some identities and backgrounds but the larger part still remains anonymous. This only adds to the fascination. who were they?  What had they done?  How bad were they?

Another interesting thing to note is that when people think of “mug shots” they commonly think of front on and side photographs of a person behind a numbered sign, such as the infamous Hugh Grant and Jane Fonda pics:



Unlike their American counterparts, however, the Sydney photographers showed full body shots in various poses as well as face and upper body shots. Using natural light in the watch house yard, the subjects are depicted with and without hats, smiling, frowning... the photographers appear to have sought out personality and character as well as simply physical appearance. Many of the photographs are first class portraiture and, as observed by compiler Peter Doyle, “the view of the subjects is surprisingly benign. There is an unexpected sympathy, even tenderness, in many of the photographs.”

Photographs of crime scenes in some cases are stark and gritty, in other cases witty, humorous, sometimes even surreal, as in this example:


The people depicted are varied, some appear fragile, others hard and frightening; some are well dressed and some are down and out.

The photographs have been selected by crime writer Peter Doyle, who also provides the commentary in the film that is part of the exhibition. Here is his commentary on the exhibition from the Police and Justice Museum website:

In the early part of the 20th century police routinely went to the places that respectable Sydney did its best to avoid, the dark places where bad things happened. They were just doing their job – asking questions, taking photographs, writing reports. But now, nearly a century later, the fruit of that footwork offers us the most extraordinary and intimate record of the more troubled sides of everyday life in early 20th century Sydney. 
Then, most of the action took place in a crescent zone of jumbled streets, terrace houses, factories and warehouses running from Balmain through Pyrmont, Glebe, Annandale, Newtown, Redfern, Chippendale, the Haymarket, Surry Hills, all the way round to Darlinghurst, Paddington, Kings Cross and Woolloomooloo in the east. Taxi drivers used to call it ‘The Horseshoe’. It was where the population was most dense, where most business was conducted, where out-of-towners most often washed up, and where Sydney-siders went for their illicit pleasures.
‘The Horseshoe’ received consistently bad press; scandal sheets of the day titillated respectable Sydney with tales of prostitution, thuggery, drugs, gambling, gender-bending and illicit carousing. Much of it was tabloid hype, but it was not only that. The police-eyes only publication the NSW Criminal Register routinely detailed the habits and haunts of hundreds of criminals during the period, and the billiard saloons, dance-halls, wine bars, hotels and brothels – the ’traps’ – in the Darlinghurst, Newtown, Redfern and Haymarket areas recur overwhelmingly in these reports.
According to Doyle, the exhibition maps “in great particularity the shadowy sides of everyday life – the mayhem, villainy, and plain bad luck – in the old Sydney Horseshoe.”

In the next week I will post some of those photographs in various groups.

Today: Men (with details where known)

(One interesting feature is that the handwritten notations on the photographs sometimes appear a little wonky. This is because they had to be written on the back of the plate glass negatives in mirror writing).


Special Photograph no. D158/D159. The ‘D’ prefix on the serial number indicates that the photograph was taken on behalf of the Drug Bureau, which in the late 1920s consisted of two men, Detectives Wickham and Thompson. ‘Ah Num’ and ‘Ah Tom’, which may be approximate renderings of these men’s names, do not turn up in the records of the time, and the expectation that they were to be released may account for their obviously elevated mood.


Special Photograph no. 745. Joseph Messenger and Valerie Lowe were arrested in 1921 for breaking into an army warehouse and stealing boots and overcoats to the value of 29 pounds 3 shillings. The following year, when this photograph was taken, they were charged with breaking and entering a dwelling. Those charges were eventually dropped but they were arrested again later that year for stealing a saddle and bridle from Rosebery Racecourse. As an adult Messenger was active in inner-Sydney underworld through the 1920s, and he appears in the NSW Criminal Register (16 July 1930 entry no 171) as a seasoned criminal and gang affiliate. The description of his modus operandi includes: ‘Violently [resists] arrest … frequents wine saloons, billiard rooms, and racecourses … consorts with prostitutes.’  This photograph shows Messenger at age 18


Short, thickset, foul-mouthed and illiterate, Guido Calletti was for two decades Darlinghurst’s most famous bludger, razorman and standover artist. From his criminal debut aged ten until his death from gunshot wounds in 1939, Calletti appeared in court 56 times, mostly for violent assault and robbery. Typically he assaulted and robbed pub patrons with whom he had struck up a temporary acquaintance. He was reputed to be an expert shot and extraordinarily fast with a razor and a knife.

Although Calletti was never charged with murder, police believed he was responsible for at least four killings. He remained an independent operator, never strongly aligned with any of the inner-city gangs. He was married to prostitute Nellie Cameron, and later had a long-running affair with famous consort of gangsters, Dulcie Markham.


Mug shot of Neville McQuade (18) and Lewis Stanley Keith (19), North Sydney Police Station, early June 1942






Friday, September 20, 2013

Funny Friday

Caution:  Risque humour ahead

Yesterday being International Talk Like a Pirate Day, it seemed obvious as to what the theme for today’s Funny Friday should be. . . 


____________________


__________

What's this?

R
RR
RRR
RRRR

A pirate eye chart.
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How much does it cost a pirate to get his ears pierced?

About a buck an ear...
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What has eight arms, eight legs and eight eyes?

Eight Pirates.
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Sailor to pirate “‘Ow did you get your peg leg?
Pirate “It got blasted off by a cannon ball!”
Sailor ”And yer hook?”
Pirate “It got chopped off by a cutlass in a fearsome fight!”
Sailor “And your eye patch?”
Pirate “Seagull poo.”
Sailor “Seagull poo? That wouldn’t cause you to lose an eye?”
Pirate “Nay, it didn’t, but I’d just had me hook done!”
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____________________

A pirate is starting his first day aboard his new ship and the captain is giving him the tour. ''That be the plank for trouble makers, that be the deck that needs swabbing everyday and there be the barrel for all your sexual needs.''

''Whatcha mean ‘my sexual needs’?''

''Well, you stick your willy in the bung hole and you'll be serviced, anytime you want, except for Wednesdays.''

''What happens on Wednesdays?''

''It be your turn in the barrel...''
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I'll finish the steering wheel one for you...

Limerick Spot:

...but this one you will have to work out:

There was an old man from Dunoon,
Who ate soup with a very small fork.
He said "As I eat
Neither fish, foul nor flesh,
I should otherwise finish too quick."


Okay, I'll help with that one as well. The original is:

There was an old man from Dunoon
Who ate soup with a very small spoon.
He said, "As I eat
Neither fish, fowl, nor meat,
I should otherwise finish too soon."




Thursday, September 19, 2013

Aaaarrrrr!!



Ahoy shipmates. Today be a special day. Aye, today be International Talk Like a Pirate Day and any parrrrty that won’t parrrtake be a scurvy bilge rat. Arrrr.



In the interests of communication I will put aside speaking like a pirate in this post but those reading this who know me personally will be expected to speak to me in pirrrate lingo today, arrrr!

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International Talk Like a Pirate Day is celebrated on 19 September each year and is a joke holiday originated by John Baur and Mark Summers, known respectively as Ol’ Chumbucket and Cap’n Slappy (pictured above). It started when they were playing racquetball on 6 June 1995. One of them became injured and exclaimed “Aaarrrr!” As a joke between themselves they kept speaking like pirates that day and decided to make it an annual event. Because 6 June is the anniversary of D Day, it didn’t seem right to make that their official observance day so 19 September was selected, the date of Summers’ ex-wife’s birthday, so that he would remember it. Their private observance of TLAPD gained wider exposure when the idea was written about and promoted by columnist Dave Barry in 2002. The media picked it up and the rest be history. Summers and Baur sell books and T-shirts on their website related to the theme and attribute part of the success to their not having trademarked anything, thereby allowing creativity and "viral" growth. Today the day is celebrated internationally with many devotees dressing like pirates. Indeed yesterday, when I was at Downing Centre Local Court in Sydney with my son Thomas we saw a chap in full pirate regalia, even to the extent of having a stuffed parrot on his shoulder. I would have loved to have seen his appearance before the magistrate and to have heard him address the court. (I think he was an Irish pirate, being that he was a day early).

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Official website of ITLAPD:


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The patron saint of ITLAPD is actor Robert Newton, who specialised in playing pirates and who played Long John Silver in the 1950 Disney film Treasure Island. Born in Dorset and educated in Cornwall, it was his West County dialect and accent that was the originator of what most people today believe to be pirate speech and expression, notwithstanding that “Arrrr!” had been appearing from 1934 onwards. It is Newton’s usage in Treasure Island, however, which popularised the phrase and the manner of pirate expression.

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ITLAPD has become a holiday for members of the Church of the Flying Spaghetti Monster. In that regard see an earlier Bytes at:


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There is a site that lets you put in your own name and it gives you a pirate name. It allocated me Decrepit Sully Cutler.

Give it a try at:

You can also select other categories for names.  Some of the other ones allocated to me were: Gangster (Chewy the Canadian), Mexican Wrestler (Turbo Flaco), Mafia (Card Shark Valentino), Vampire (Leapin’ Edward Dracul).

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ITLAPD has been officially recognised by the US State of Michigan. A resolution brought forward by Senator Roger Kahn was approved by legislators in June of this year. Khan celebrated the passage by taking the podium while wearing a black eye patch and saying, "It's time, and now recognized, that the state of Michigan acknowledges this holiday and grants it the recognition it truly deserves." Kahn pointed out that Michigan is the Great Lakes state and should support and promote "worthy maritime initiatives." 


Michigan Senate Minority Leader Gretchen Whitmer didn't think very highly of the resolution and said "I just want to thank the senator from the 32nd District for making the most compelling argument he could for a part-time legislature." 


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Wednesday, September 18, 2013

Last Words: Hannie Schaft


“I could shoot better.”

- Hannie Schaft

Jannetje Johanna (Jo) Schaft (1920 –1945) was a Dutch resistance fighter during World War 11. Her secret name in the resistance movement was Hannie and she became known as The Girl with Red Hair.

As a law student she became friends with a number of Jewish students and opposed Nazi persecution. She refused to sign the declaration supporting the Nazi occupation of Holland and instead became a member of the Dutch resistance movement, helping people escape the Nazis. Initially nvolved in the distribution of illegal resistance newsletters and the theft of ID cards, which she'd turn over to her Jewish friends, she later also carried out attacks on Germans, collaborators and traitors.

On 17 April, 1945, seven weeks before the liberation of Holland, she was captured at a military checkpoint in possession of underground pamphlets and a pistol. Realising that they now had in custody the resistance member who had been on their hit list, the Nazis ignored the agreement that had been reached with the Dutch authorities to stop executions. 

Three weeks before the end of the war she was taken to the sand dunes of Bloemendaal by a Dutch driver, three German soldiers and the Dutch detective, Maarten Kuijper. The 24 year old Hannie, Kuijper and German Mattheus Schmitz led their prisoner into the dunes, a man with the shovel bringing up the rear. Schmitz, walking a few paces Hannie, drew his pistol and fired, causing her to cry out in pain from a wound to the head but not fall. She said to the men in front of her “I could shoot better”. Kuijper then levelled a machine gun at her and shot her dead. Kuijper then helped the others bury the body in a shallow grave.

After the war, in these dunes the remains of 422 resistance people were found, 421 men and one woman, Hannie Schaft.

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Hannie Schaft was reburied at the honorary cemetery at the dunes in Overeen in the presence of Princess Juliana and her husband Prince Bernard. Later, as queen, Juliana unveiled a bronze commemorative statue in the Kenau Park in nearby Haarlem, her birthplace. Hannie Schaft also received the 'Wilhelmina resistance cross' and a US decoration.

Because Hannie had been a member of a Communist resistance movement cell, the one she thought was doing the most to oppose the Nazis, she is generally identified as having been a communist. With the increased involvement of the US in Europe post WW2 and the escalating opposition to communism, her popularity decreased for a period to the point that the commemoration at Hannie's grave was forbidden in 1951. Today there are schools and streets named after her and she is remembered each year in November during a national event in Haarlem, Holland, where she was born and raised.


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Kuiper was one of the major betrayers of Jews in hiding during the Nazi occupation of Holland and arrested Anne Frank and her family.  It is now believed by some authors and historians that Kuiper was both the arresting officer and the betrayer of the Franks, that it was he who made the anonymous phone call in 1944 which led the Gestapo and Dutch security police to the concealed annexe in a canalside house where Anne Frank and her family had hidden for almost two years.  It is believed that Kuiper learned of the Frank family being in hiding from a Dutch Nazi by the name of Ahler, a former business associate of Otto Frank, who was also a paid informant.

Maarten Kuiper was sentenced to death by a Dutch court and executed on 30 August 1948. 




Tuesday, September 17, 2013

Street Art: Lego


Lego blocks, those plastic pieces that you step on at night in bare feet, came from the workshop of Danish carpenter Ole Kirk Christiansen (1891-1958) who began making wooden toys in his garage in 1932 after losing his job in the Great Depression. In 1934 his company came to be called "Lego", from the Danish phrase leg godt, which means "play well". In 1947 he moved onto using plastics, originally for small plastic bears and rattles and by 1949 he had produced over 200 plastic and wooden toys. In 1949 Lego began producing, among other new products, an early version of the now famous interlocking bricks, calling them "Automatic Binding Bricks". In 1958, the modern brick design was developed by Christiansen’s son, who took over ops after his father died of a heart attack, but it took another five years to find the right material for it. The modern Lego brick was patented on 28 January 1958 and bricks from that year are still compatible with current bricks. In 1978, Lego produced the first minifigures.

Some pics of Lego street art:






Lego covered bridge, part of a street art ad campaign by Lego.


Concrete blocks made to resemble Lego blocks, in Poland




Lego-Brücke, a concrete overpass in Wuppertal, Germany, concrete blocks of this bridge were repainted to resemble the LEGO bricks by street artist Martin Heuwold, or Megx


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