Wednesday, February 5, 2014

Orange Peel Art

Having some time ago posted pics of amazing fruit sculptures, I was amused recently to come across some pics of orange peel art. A Google search revealed that not only are there others practising this form of art, in Japan it is quite a pursuit, much like origami of the peel. Here are some examples, which only goes to prove that some people just have too much time on their hands . . .

(Caution: risque content included)


















Not really a peel sculpture as such but I liked it.

Btw, don’t you just love this apple sculpture:



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Tuesday, February 4, 2014

5 Presidential Quotes


We've uncovered some embarrassing ancestors in the not-too-distant past. Some horse thieves, and some people killed on Saturday nights. One of my relatives, unfortunately, was even in the newspaper business.

- Jimmy Carter

(1924 - , President 1977-1981)

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When the president does it, that means it is not illegal.

- Richard M Nixon

(1913-1994, President 1969-1974)

Nixon’s comment was made during one of the Nixon/Frost interviews in 1977. Frost had quizzed Nixon on his authorisation of a plan to obtain intelligence on those who opposed him. The planned operation included the systematic use of wiretappings, burglaries, or so-called black bag jobs, mail openings and infiltration against antiwar groups and others. It was emphasised to Nixon that some of those activities were clearly illegal but Nixon gave the go-ahead anyway. 

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If I don't have a woman every three days or so I get a terrible headache.

- John F Kennedy 

(1917-1963, President 1961-1963)

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For seven and a half years I've worked alongside President Reagan. We've had triumphs. Made some mistakes. We've had some sex...uh...setbacks.

- George H W Bush

(1924 - , President 1989-1993)

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I die hard but am not afraid to go. I believed from my first attack that I should not survive it — my breath cannot last long.

- George Washington

(1732-1799, President 1789-1797)


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Monday, February 3, 2014

Plastic Bag Art

I was sent an email some time ago by someone suggesting a post on a plastic bag sculpture. Unfortunately I can’t locate that email and therefore am uncertain as to who to thank. I think I know who it was but I don’t want to err so to the person who did send it: Thank You.

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The pics that were sent to me by the contributor were of a large plastic bag sculpture by Pascale Marthine Tayou (1967 - ). Tayou is from Cameroon and was part of a 2011 exhibition at the Queensland Gallery of Modern Art titled Plastic Bags 2001-2010 where he used hundreds of plastic bags to make a giant teardrop. The aim was to bring attention to the overuse and waste associated with consumerism.

Here are some pics:



Here is the same sculpture on display in Rome


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Some more plastic bag art works:

There is a site – Olympia Dumpster Divers – that is dedicated to recycling plastic bags as art. Here are some examples:

Polar bear and cub made with polystyrene, sheet, chicken mesh and plastic bags, London Zoo exhibition.

Subway Sea Monster by Joshua Allen Harris. Harris animates plastic bags by placing them over the NYC subway vents.

Another inflatable by Joshua Allen Harris.

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Artist Virginia Fleck uses coloured plastic bags to create beautiful mandalas, the spiritual and ritual symbols used in Hinduism and Buddhism to represent the universe. The basic form of most mandalas is a square with four gates containing a circle with a centre point. They are also used to focus spirituality and to assist in meditation. Here are some of Fleck’s works:






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Becky Stern also makes mandalas out of recycled plastic bags. . .


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Artist Khalil Chistee creates sculptures that are imaginative and beautiful out of plastic bags”






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This enormous Plastic Bag Monster was created by the Shanghai chapter of the Roots & Shoots environmental group, an environmental program of the Jane Goodall Institute. Setup in a Shanghai park, the monster comes with the tagline: "Waste plastic bags and they'll come back to haunt you."



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Sunday, February 2, 2014

The Remember Poem


I was sent the following poem by Byter Leo. I don’t know whether the initial comment is Leo’s or from the person who sent it to Leo, or from the person who sent it to the person who sent it to Leo, or from . . . well, you get what I mean.

Nostalgia items harking back to how good the old days were suffer from selective recall – they don’t remember the bad times, only some of the things that with nostalgic hindsight have been magnified in quality, significance and joy. The ghost of childhood past conveniently forgets polio, racism, domestic violence . . . 

Leo’s poem, in harking back to those days, unintentionally highlights some of those negative aspects.

Following is that poem, with a second copy with commentary, sorta like watching the commentary on on the Special Features on the DVD after having watched the movie.

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How true is this. An awful lot of you would not even remember our good times.

THE REMEMBER POEM

I remember the cheese of my childhood 
And the bread that we cut with a knife, 
When the children helped with the housework,
And the men went to work not the wife.

The cheese never needed a fridge,
And the bread was so crusty and hot,
The children were seldom unhappy
And the wife was content with her lot.

I remember the milk from the bottle,
With the yummy cream on the top,
Our dinner came hot from the oven,
And not from the fridge or the shop.

The kids were a lot more contented,
They didn't need money for kicks,
Just a game with their mates on the road,
And sometimes the Saturday flicks.

I remember the shop on the corner,
Where a pennies worth of sweets was sold
Do you think I'm a bit too nostalgic?
Or is it ... I'm just getting old?

I remember the 'loo' was the lav,
And the boogy man came in the night,
It wasn't the least bit funny
Going ‘out back’ with no light.

The interesting items we perused,
From the newspapers cut into squares,
And hung on a peg in the loo,
It took little to keep us amused.

The clothes were boiled in the copper,
With plenty of rich foamy suds
But the ironing seemed never ending
As Mum pressed everyone's 'duds'.

I remember the slap on my backside,
And the taste of soap if I swore
Anorexia and diets weren't heard of
And we hadn't much choice what we wore.

Do you think that bruised our ego?
Or our initiative was destroyed?
We ate what was put on the table
And I think life was better enjoyed!

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With commentary:


How true is this. An awful lot of you would not even remember our good times.  
An awful lot of the readers would not be familiar with some of the objects, expressions and events mentioned. It is not so much not remembering as never having experienced.

THE REMEMBER POEM

I remember the cheese of my childhood 
And the bread that we cut with a knife,
Bread came unsliced, delivered by the bread man. One of the great delights was to smell the back of the bread man’s van, when he opened the doors and you smelt the freshly baked loaves, soft insides and crusty outsides. Later in time there was a special bread knife with an adjustable guide to cut the bread. My brothers and I fought over who received the middle part where the loaf pulled apart and left two very soft surfaces.


There wasn’t any pre-sliced bread, that came later, giving rise to the expression “The best thing since sliced bread.” You don’t hear that expression much anymore.
When the children helped with the housework,
Children were seconded into the domestic labour force but that was also the time that there was less homework and less labour saving devices.


My brothers and I mowed the grass with one of these. Mowing was one of our chores.
And the men went to work not the wife.
Not just macho male bullshit, this was also a reflection of divinely ordained roles for men and women. Men went to work and earned the money, women had babies and looked after the house. It was one of my father’s proud boasts that his wife had not had to work a single day since the day that they were married.

The cheese never needed a fridge,
And the bread was so crusty and hot,
The children were seldom unhappy
And the wife was content with her lot.
See comments above. The word “lot”, in the sense of “abundance”, is a bit of a misnomer. The “little woman” was usually confined to the home and was defined by her husband. For many years after I became a lawyer, husband and wife were described in legal documents as “John Smith, of 123 Main Street, Anytown, and Mary Smith of the same address, his wife”

I remember the milk from the bottle,
With the yummy cream on the top,
Just as the breadman delivered the bread, so the “milko” delivered the bottled milk each morning. It was delivered early and it was still cold. Once a week he left a bill and you left his money in a tine. It never went missing.
Our dinner came hot from the oven,
And not from the fridge or the shop.
Progress has resulted in things being quicker, cheaper, more streamlined. But it comes at a price. You want home cooked meals? Then either husband or wife should stay home and spend the time shopping and cooking. Give up on the overseas trips, restaurant meals and the second car if the family is travelling on a single income.

The kids were a lot more contented,
Who says so? By what criteria?
They didn't need money for kicks,
Just a game with their mates on the road,
Suicide ally.

And sometimes the Saturday flicks.
Why look back nostalgically at the Saturday flicks when they have luxury movie theatres, itunes, DVD’s, online films . . .

Remember the shop on the corner,
Where a pennies worth of sweets was sold
Do you think I'm a bit too nostalgic?
Or is it ... I'm just getting old?
A mix of the two

I remember the 'loo' was the lav,
And the boogy man came in the night,
It wasn't the least bit funny
Going ‘out back’ with no light.
The heady delight of the outside dunny, no light so going by moonlight if you went at night, stepping on slugs and snails barefoot. It certainly wasn’t the least bit funny. 


And let’s not forget the spiders, giving rise to a great Oz hit at the time:


For the benefit of OS readers, Redbacks are poisonous Oz spiders that next underneath things: sheets of corrugated iron, piles of bricks, toilet seats. Hence we grew up with the advice: “Always turn it over first to check for Redbacks.”

The interesting items we perused,
From the newspapers cut into squares,
And hung on a peg in the loo,
It took little to keep us amused.
Life may have been basic in those days but we at least never used newspaper squares.

The clothes were boiled in the copper,
The copper was a big copper pot set into a brick surround. It had a fire underneath and was used to wash clothes. We didn’t have one, I can’t remember what we did have, but the neighbours still used one.



With plenty of rich foamy suds
But the ironing seemed never ending
As Mum pressed everyone's 'duds'.
“Duds” was slang for clothing

I remember the slap on my backside,
And the taste of soap if I swore
My mother was the house disciplinarian, which including corporal punishment, but we never had our mouths washed out with soap.
Anorexia and diets weren't heard of
And we hadn't much choice what we wore.
Most of the time we wore very little. We went everywhere barefoot and in the summer went shirtless as kids. All around us was bush and creeks in those days, we played in the bush. Made forts and had wars, fished, made canouse and rafts. In the school holidays there was only one rule: be home by dark. 

Do you think that bruised our ego?
Or our initiative was destroyed?
We ate what was put on the table
And I think life was better enjoyed!
Perhaps, or perhaps it is a selective recalling.

Your views?

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Saturday, February 1, 2014

National Icons: Uncle Sam and Columbia

Continuing a look at the national icons of various countries.

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Uncle Sam is the modern day personification of the American government. Here are some facts and background on Uncle Sam, initials US.

Columbia is a past female personification of America itself.

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Columbia:

World war 1 patriotic poster depicting Columbia

The earliest personification of the US was not Uncle Sam but a female, Columbia, in 1738 from the weekly publication of the debates of the British Parliament in Edward Cave’s Gentleman’s Magazine. Publication of Parliamentary debates was technically illegal, so the debates were issued under the thin disguise of Reports of the Debates of the Senate of Lilliput, and fictitious names were used for most individuals and place names. The US was recorded as Columbia, harking to its discoverer Columbus.

By the time of the Revolution, the name Columbia had lost the comic overtone of its "Lilliputian" origins and had become established as an alternative, or poetic name. for America. With independence, the name was given to places, ships, institutions and the like. It also reflected a growing interest in American neoclassicism, as exemplified in the tendency to use Roman terms and symbols. The selection of the eagle as the national bird, the use of the term Senate to describe the upper house of Congress, and the naming of Capitol Hill and the Capitol building were all conscious evocations of Roman precedents.

1872 painting, American Progress,by John Gast. Columbia, in the implementation of Manifest Destiny (the American belief that settlement was destined to expand across the continent) leads civilisation westward. 

After the World Wars, the personification of Columbia fell out of use, and she has largely been replaced by Lady Liberty as a feminine allegory of the United States. 

The image of the personified Columbia was never fixed, but she was most often presented as a woman between youth and middle age, wearing classically draped garments decorated with the stars and stripes; a popular version gave her a red-and-white striped dress and a blue blouse, shawl, or sash spangled with white stars. Her headdress varied; sometimes it included feathers reminiscent of a Native American headdress, sometimes it was a laurel wreath, but most often it was a cap of liberty.

It is noteworthy that when Columbia Pictures adopted Columbia as its logo in 1924, she was (and still is) depicted as bearing a torch – similar to the Statue of Liberty, and unlike 19th Century depictions of Columbia.

Columbia Pictures logo

Is it just me who thinks that the cloud formation behind her looks like a developing nuclear mushroom cloud?

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Brother Jonathon:


The American Revolutionary War saw another personification: Brother Jonathon, the personification of New England and of capitalism.

Brother Jonathan in striped pants, somber overcoat, and Lincolnesque stove-pipe hat, as drawn by Thomas Nast (above).

The term dates from the 17th century when it was applied to Puritan roundheads during the English Civil War. It also came to be applied to the residents of colonial New England, who were mostly Puritans.

The character was adopted by citizens of New England from 1783 to 1815, when Brother Jonathan became a nickname for any Yankee sailor, similar to the way that GI is used to describe members of the U.S. Army.

From 1812 the personification Uncle Sam became increasingly popular, eventually becoming the dominant image.

Brother Jonathon and John Bull shape up

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Uncle Sam:

The term Uncle Sam is reputedly derived from one Samuel Wilson, a meat packer from Troy, New York, who supplied rations for the soldiers. There was a requirement at the time for contractors to stamp onto the food they were sending their name and where the rations came from. Wilson's packages were labelled “E.A – US.” When someone asked what that stood for, a coworker joked and said “Elbert Anderson (the contractor) and Uncle Sam,” referring to Sam Wilson, though it actually stood for United States.

As early as 1835 Brother Jonathan made a reference to Uncle Sam, implying that they symbolized different things: Brother Jonathan was the country itself while Uncle Sam was the government and its power.

By the 1850s the name Brother Jonathan and Uncle Sam were being used nearly interchangeably to the point that images of what had been called "Brother Jonathan" were now being called Uncle Sam. Appearance of both personifications varied wildly. For example, one depiction of Uncle Sam in 1860 depicted him looking like Benjamin Franklin, (an appearance echoed in Harper's Weekly's June 3, 1865 "Checkmate" political cartoon).

Political cartoon from 1860 depicting Steven A Douglas receiving a spanking from Columbia as Uncle Sam looks on approvingly.

In contrast, the depiction of Brother Jonathan on page 32 of the January 11, 1862 edition Harper's Weekly looks more like the modern version of Uncle Sam (except for the lack of a goatee).

However, even with the abandonment of Brother Jonathan (having evolved into "Johnny Reb") near the end of the Civil War, Uncle Sam didn't get a standard appearance until the well-known "recruitment" image created by James Montgomery Flagg (inspired by a British recruitment poster showing Lord Kitchener in a similar pose). It was this image more than any other that set the appearance of Uncle Sam as the elderly man with white hair and a goatee wearing a white top hat with white stars on a blue band, and red and white striped trousers.



The artwork has an eerie effect that no matter where the viewer is standing, Uncle Sam’s eyes appear to look directly at the viewer.

The Flagg poster and image were also extensively used during World War 2.

1898 poster supporting gay marriage. Nahh, I made that up. 
 It is an 1898 poster titled "A union in the interest of humanity - civilization - freedom and peace for all time" and shows the personifications of America (Columbia and Uncle Sam) and Great Britain (Britannia and John Bull) holding hands in friendship, with vignettes of naval battles. The poster cites such reasons for "kindred interests" as: English tongue, resources, integrity, valour, colonial success, chivalry, and invincibility.

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Uncle Sam and Columbia, even Liberty, have given way to more modern personifications of America:





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