Sunday, March 8, 2020

5 x 5: Women’s Empowerment Songs


Today is International Women’s Day. 

Celebrated on March 8 each year, International Women's Day is a global day honouring the social, economic, cultural and political achievements of women. It is sponsored worldwide by the United Nations but was not originated by the UN, The roots of this celebration goes back to the late 1800's and early 1900s, growing from women's socialist movements and early women's trade union groups of those times. 

The first International Women's Day was held March 19, 1911. Women socialists and trade unions held an earlier Women's Day on the last Sunday in February, 1908. The event grew from there, and has been celebrated annually since. The focus is upon women workers, and advancing women's rights in the workforce, politics and society. 



The theme for IWD 2020 is “Each for Equal”, that each of us stands up for gender equality, whether that be for equal boardroom, a gender equal government, gender equal media coverage, gender equal workplaces, gender equal sports coverage, and more gender equality in health and wealth. 

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Byter Liz P drew my attention to the fact that IWD is celebrated on the same day of the year as Be Nasty Day according t Brett’s monthly list of bizarre and unique celebrations posted on March 1. Expanding the link in that list reveals that the origins are unknown and that the compilers of the list do not support celebrating this day, having included it only because of its sizable internet presence. 

Here is an example of nastiness about being nasty: 
The word "nasty" has a few meanings, but in this context, it is referring to being rude, mean, spiteful, or difficult to be around. On this day everyone has an excuse to be nasty by displaying these attributes to others in both word and action. It is not known who created this day, but what a nasty thing to do! Celebrate the day by being nasty to others. Call them names and insult them. Cut in front of them in line. If you have things you really feel about people but have been holding back, today is the day to say them. Hang up on people who call you. Ignore messages you receive online, and ignore your friends and family. There are tons of ways to be nasty today!

https://www.checkiday.com/0e854467a3602ebce2522dd08d7a2d9d/national-be-nasty-day
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To honour IWD rather than BND, here are 5 facts about 5 women’s empowerment songs . . . 
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I AM WOMAN 

Helen Reddy 

The song:

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"I Am Woman", sung by Aussie Helen Reddy, was first released in 1971 and re-released in 1972 with some changes, at a time when the women’s liberation movement was taking off. It’s message and lyrics of women’s strength and empowerment made it the anthem of the women's lib movement. Sample lyrics: 

I am woman, hear me roar 
In numbers too big to ignore 
And I know too much to go back an' pretend 
'Cause I've heard it all before 
And I've been down there on the floor 
No one's ever gonna keep me down again 
Oh yes, I am wise 
But it's wisdom born of pain 

Yes, I've paid the price 
But look how much I gained 
If I have to, I can do anything 
I am strong 
(Strong) 
I am invincible 
(Invincible) 

-------oOo------- 

Reddy and fellow Australian Ray Burton created the song, Reddy providing the lyrics and her friend, Burton, setting the lyrics to music. He says that he also tweaked the lyrics to fix the music but she denies this. Burton was expelled from the US in 1971 because of work permit problems and he and Reddy ended up falling out. He sued for back royalties and received some money. Today he performs in venues on the Queensland Gold Coast, where he lives, sometimes including the song in his performances but singing the lyrics as "She is woman, hear her roar". 

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The song was the first number one hit on the Billboard chart by an Australian-born artist and the first Australian-penned song to win a Grammy Award. In her acceptance speech for Best Female Performance, Reddy thanked "God, because She makes everything possible". 

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Reddy was married to Jeff Wald in an volatile relationship. Money from this song and further hits made her wealthy, which she and Wald flaunted with a gaudy lifestyle of mansions, limousines, jewellery and speedboats. By the time the couple completed their acrimonious divorce in 1982 they had blown most of the $40 million they had made. 

-------oOo------- 

The full lyrics contains the verse: 

I am woman, watch me grow 
See me standing toe-to-toe 
As I spread my loving arms across the land 
But I'm still an embryo 
With a long, long way to go 
Until I make my brother understand 

Some feminists took exception to the lyrics, "I'm still an embryo, with a long, long way to go," identifying the women's liberation movement with a pregnancy. This was particularly true after the 1973 U.S. Roe v. Wade Supreme Court decision was bookended by Paul Anka's 1974 number-one hit, "Having My Baby." 
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YOU DON’T OWN ME 

Lesley Gore 

The song:

-------oOo------- 

“You Don’t Own Me” was recorded by Lesley Gore in 1963, when Gore was 17 years old. The song was Gore's second most successful recording and her last top-ten single. On November 27, 2016, the song was inducted into the Grammy Hall of Fame. 

-------oOo------- 

The song expresses a threatened emancipation, as the singer tells a lover that the lover does not own her, is not to tell her what to do or what to say, and is not to put her on display. Released nearly 10 years before “I Am Woman”, it is one of the very first songs in which a woman demands her independence from her man. 

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The song's lyrics became an inspiration for younger women and are sometimes cited as a factor in the second wave feminist movement. 

From Wikipedia: 
Second-wave feminism was a period of feminist activity and thought that began in the United States in the early 1960s and lasted roughly two decades. It quickly spread across the Western world, with an aim to increase equality for women by gaining more than just enfranchisement.  
Whereas first-wave feminism focused mainly on suffrage and overturning legal obstacles to gender equality (e.g., voting rights and property rights), second-wave feminism broadened the debate to include a wider range of issues: sexuality, family, the workplace, reproductive rights, de facto inequalities, and official legal inequalities. Second-wave feminism also drew attention to the issues of domestic violence and marital rape, engendered rape-crisis centers and women's shelters, and brought about changes in custody laws and divorce law. Feminist-owned bookstores, credit unions, and restaurants were among the key meeting spaces and economic engines of the movement.

Many historians view the second-wave feminist era in America as ending in the early 1980s with the intra-feminism disputes of the feminist sex wars over issues such as sexuality and pornography, which ushered in the era of third-wave feminism in the early 1990s.

https://en.wikipedia.org/wiki/Second-wave_feminism#cite_note-1
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Goldie Hawn, Diane Keaton, and Bette Midler sang this together in the 1996 film "The First Wives Club". The song also appeared in the movies "Dirty Dancing" and "Hairspray". 

-------oOo------- 

17-year-old Australian singer Grace released a modern version of this song in 2015, shortly after the death of Lesley Gore. This version features rapper G-Eazy, who spits verses about how he likes this independent woman who "could never ever be a broke ho." 

Quincy Jones, Lesley Gore’s producer, spearheaded this production. This version was a big hit in Australia, where it went to #1. It also made #4 in the UK and #95 in the US. 

Well worth listening to and watching: 

Grace
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RESPECT 

Aretha Franklin 

The song:

-------oOo------- 

"Respect" is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for soul singer Aretha Franklin. 

The music in the two versions is significantly different, and through a few changes in the lyrics, the stories told by the songs have a different flavor. 

Redding's version is a plea from a desperate man, who will give his woman anything she wants. He won't care if she does him wrong, as long as he gets his due respect when he brings money home. 

Redding version:

Franklin's version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his "respect". Franklin's version adds the "R-E-S-P-E-C-T" chorus and the backup singers' refrain of "Sock it to me, sock it to me, sock it to me...". 

After Redding heard Aretha's rendition for the first time, he told Jerry Wexler: "This girl has taken that song from me. Ain't no longer my song. From now on, it belongs to her." 

-------oOo------- 

In the line, "Take care, TCB" (often misheard as "TCP"), "TCB" means "Taking Care of Business." Elvis Presley appropriated the phrase a few years later, using it on jewellery and calling his band "The TCB Band." 

-------oOo------- 

Aretha's line, "Sock it to me," became a catch phrase on the TV show Laugh In in the '70s. This line is often heard as a sexual reference, but Aretha denies this. "There was nothing sexual about that," she told Rolling Stone in 2014. 

-------oOo------- 

This has been used in many movies, including Platoon, Forrest Gump, Mystic Pizza, and Back To School. Aretha Franklin sings this song in the movie Blues Brothers 2000. She also appeared in the original Blues Brothers movie, performing "Think." 

-------oOo------- 

In the '80s, KFC turned this into "R.O.A.S.T.E.D." to promote their new roasted chicken. 
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SISTERS ARE DOIN' IT FOR THEMSELVES

Aretha Franklin and Annie Lennox/Eurythmics

The song:

-------oOo------- 

Sisters Are Doin' It for Themselves" is a 1985 song recorded by the British pop duo Eurythmics (Annie Lennox and Dave Stewart) and American singer Aretha Franklin.. It was originally intended to have Tina Turner perform the Aretha Franklin part but Turner declined so Franklin was asked instead. 

-------oOo------- 

Lennox explained in a 1991 interview with Q: 
"'Sisters Are Doin' It For Themselves was a challenge, to write a pop song that could be played on the radio yet was a feminist anthem. I woke up one morning and wrote all the words. I had a vision of it, and said to Dave that this idea needs a fantastic woman to sing it with. I'd thought of Tina Turner, and we contacted her but she found the content too feminist. But Aretha Franklin wanted to do it, and we flew to Detroit. I got along all right with her but we didn't have an immediate rapport. Aretha struck me as rather shy, a bit sad, a bit lonely. She had an entourage which I thought a bit eccentric - I wasn't used to it." 
-------oOo------- 

From an interview with Annie Lennox by Variety:
Variety:
I read that Aretha was worried that “Sisters Are Doin’ It for Themselves” was a gay anthem. Is that true?

Lennox:
Aretha was worried that it was a song about masturbation. I don’t blame her for asking, because as a singer, you need to understand. She had not written the song, so she wanted to understand better where the hell are we coming from. Honestly, it was not about that, so we just reassured her that there was no eroticism. It’s about sounding out their message, basically. 
http://gr8erdays.com/2018/04/24/annie-lennox-on-aretha-franklins-sexy-sisters-worry/
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In an interview coinciding with her 2006 ASCAP Founders Award, Annie Lennox said: 
"Women are the most extraordinary force in the world. There is such a strong need for feminism, particularly in developing countries where women are still relegated to third class citizen status - where they don't have choices about their fertility, education and life choices. I'm very grateful for the things that feminism has offered me. I can vote in a democratic system. Women and men are trying to progress together, but women very often carry the brunt of the burden in life. Actually, I do like to take the opportunity to speak up for women's rights." 
-------oOo------- 

This was featured in the 1996 film "The First Wives Club" and in the 2003 movie "Legally Blonde 2". 
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I WILL SURVIVE 

Gloria Gaynor 

The song:

-------oOo------- 

"I Will Survive" by Gloria Gaynor, was released in 1978 and has remained a popular disco anthem, 

The song's lyrics describe the narrator's discovery of personal strength following an initially devastating breakup and has been regarded as a symbol of female empowerment. 

Sample lyrics: 

It took all the strength I had not to fall apart 
Kept trying hard to mend the pieces of my broken heart 
And I spent oh-so many nights just feeling sorry for myself 
I used to cry 
But now I hold my head up high and you see me 
Somebody new 
I'm not that chained-up little person and still in love with you 
And so you felt like dropping in and just expect me to be free 
Well, now I'm saving all my lovin' for someone who's loving me 

Go on now, go, walk out the door 
Just turn around now 
'Cause you're not welcome anymore 
Weren't you the one who tried to break me with goodbye 
Do you think I'd crumble 
Did you think I'd lay down and die? 

-------oOo------- 

The song was originally released as the B-side to a cover version of the Righteous Brothers song "Substitute", "I Will Survive" became a worldwide hit for Gaynor when disc jockeys played that side of the record instead. 

-------oOo------- 

Gaynor sees this song as just a simple song about survival, regardless of what you have to overcome. She said: "I love the empowering effect, I love the encouraging effect. It's a timeless lyric that addresses a timeless concern." 

-------oOo------- 

"Tony Clifton" (Jim Carrey) performed this song near the end of the film "Man on the Moon". Frank the pug sings it in "Men in Black 2", and many other films have featured the song over the years, including "In And Out", "Four Weddings And A Funeral", "The Replacements", "The Adventures Of Priscilla: Queen Of The Desert", "The First Wives Club" and "Coyote Ugly". 

-------oOo------- 

Since this was first released, Gaynor has become a devout Christian and added a verse reflecting her faith to live performances: 

I will survive 
He gave me life 
I stand beside the Crucified One 
I can go on 
I will be strong 
For my strength to live is not my own
I will survive!

Saturday, March 7, 2020

Comment for the Day

Usually this segment is called either Quote of the Day or Thought for the Day.

Today it is called Comment for the Day because I am posting something that Byter Philip C sent me in response to my item about Australians on the east coast going gaga over the binge buying and hoarding of toilet paper, a bizarre reaction to the coronavirus epidemic.  Toilet paper disputes in supermarkets have led to arguments, a knife being pulled on another shopper and one person even being tasered in another dispute.  Toilet paper is being sold for exorbitant prices on the internet.

Here is Philip's contribution to that issue:



Hi Otto,

Re: toilet paper. 

Today I had a finished roll with that last piece of paper still glued to the cardboard. Took it out to our recyc bin (which was collected this morning) and put a for sale sign on it "only $1". No takers though, so Aussies are not that desperate.

All the best Philip



More about Council logos

What is it with Councils and logos? 
Having only just railed against the newly adopted (and expensive) logo of the Inner West Council, I became aware from a document received from Burwood Council that it also has a dopey logo. 
______________________________________________________________

A revisit . . . 

INNER WEST COUNCIL: 

The Inner West Council is a local government area comprising 35 square kilometres (14 sq mi) and was formed on 12 May 2016 by the forced merger by the State Government of the former Ashfield, Leichhardt, and Marrickville Councils. The population was 182,043 according to the 2016 census. 


This above is the Council’s new logo, which appears on its official documnents, letters etc.  This is the logo on its Facebook page: 


______________________________________________________________

BURWOOD COUNCIL: 

The Council of the Municipality of Burwood is an inner west local government area covering the suburbs of Burwood, Burwood Heights, Enfield and Enfield South, and parts of Croydon, Croydon Park and Strathfield. At the 2016 census, there were 36,809 people in the Burwood local government area. It adjoins the Inner West Council area.


The Burwood Council logo.

As depicted on the Council’s Facebook page 


Someone I know commented that it looks like a pregnant woman with large boobs viewed side on.

From the Council’s website: 
Tuesday, 03 September 2019 4:10PM

An exciting new look for Burwood

Council has a new brand identity, designed to reflect the changes which have made it a vibrant and multicultural destination while retaining its heritage.

Council will roll out the new brand identity, which will better promote the area’s attractions and benefits as well as guide the Council in serving residents.

Residents’ input guided the design. Feedback included that the area had grown to become a vibrant, dynamic, more diverse one, and a visitor destination and that the previous identity no longer reflects the area.

The new logo design, based on the letter `B’, is divided into six parts for the suburbs of the area: Burwood, Burwood Heights, Croydon, Croydon Park, Enfield and Strathfield. Residents’ priorities are represented by the colour scheme: harmony and friendship (pink), trust and stability (light blue), creativity and vibrancy (orange), heritage and heart (red), the natural environment (green) and energy and optimism (yellow). Traditional typeface has been used in keeping with the commitment to heritage.

Mayor John Faker, a resident who grew up in the area, was pleased to see a contemporary identity which reflected modern Burwood. “I am proud we have created something inspiring that is built on the shared vision of the community and Council,” he said. “This dynamic result will serve us well into the future.” The previous ‘Municipality of Burwood’ logo was designed in 1936.  
mepage/2019/exciting_new_look_for_burwood.html 
In case you’re wondering, this was the previous logo dating from 1936: 


From: 

The Council Crest

The Burwood Council crest originated in 1936 when Council held a competition to select a design for a municipal emblem. Twenty-six entries were received and the design submitted by A. Wade was awarded the prize of five pounds.

As this design did not quite meet Council’s specifications, the then Mayor, Alderman F H Reed, suggested a combination of the winning design and another design submitted by W J Swan. This composite design was completed by Mr Swan and was eventually adopted as the common seal of the Council on 20 July 1936.

As shown below, the crest embodies a view of Burwood Farm (the original land grant to Captain Thomas Rowley) from which the Council takes its name. The torch at the top of e crest represents progress and the growth and continued prosperity of the area. The war memorial arch, erected in Burwood Park on a portion of the original land grant to Captain Rowley is of historical importance as an impressive, though grim reminder of World War I, which directly and indirectly affected the life of every Burwood citizen of the time.

The emblem also indicates the date of the original incorporation of the Council – 1874.

 What do you guys think?

Friday, March 6, 2020

Thought for the Day


Funny Friday


------😊😊😊----

A lot of religion today, if only for the fact that we haven't had any religious humour in a while.   


"Then I commended mirth, because a man hath no better thing under the sun, than to eat, and to drink, and to be merry: for that shall abide with him of his labour the days of his life, which God giveth him under the sun."
- Ecclesiates 8.15

If you prefervthe Good News Bible to the King James Version:

So I am convinced that we should enjoy ourselves, because the only pleasure we have in this life is eating and drinking and enjoying ourselves. We can at least do this as we labour during the life that God has given us in this world.
Ecclesiastes 8.15


I can't provide eat and drink but I can provide some mirth, so be merry dear readers.

But a word of caution, there is risque content ahead.  I guess that means I'm screwed for a pass upstairs . . . 


------😊😊😊----

SOME HUMOUR . . .

A priest and pastor from the local parishes are standing by the side of the road holding up a sign that reads, "The End is Near! Turn yourself around now before it's too late!" They planned to hold up the sign to each passing car. "Leave us alone you religious nuts!" yelled the first driver as he sped by. From around the curve they heard screeching tires and a big splash.

"Do you think," said one clergy to the other, "we should just put up a sign that says 'Bridge Out' instead?"
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Two rabbis were discussing how they had a problem with squirrels around the shul. One said "we called the exterminator, but they came back. How did you get rid of yours?"

"Simple. We gave them a bar mitzvah. Never saw them again".

Alternative Christian version:


A church has a rat problem

The church doesn't want to kill the rats so they trap them and release them far away, but the next day they are back. Next they try ask them politely to leave, still they won't budge. Finally the priest has one last idea, he baptised all the rats.

Now they only come at Christmas and Easter.

_____________________________
  
Explanation:

A shofar is an ancient musical horn, usually made of a ram’s horn, used for Jewish religious purposes. The shofar is blown in synagogue services on Rosh Hashanah and at the end of Yom Kippur, and is also blown every weekday morning in the month of Elul running up to Rosh Hashanah.



Hetty is having afternoon tea in a cafe. On an adjacent table, Mary is also having tea. Mary leans over towards Hetty and says, "Excuse me asking, but are you Jewish?"
"Why yes I am," replies Hetty.
"I thought so," says Mary, "you have a Jewish holiday this week, don’t you?"
"Yes, we do, it’s called Rosh Hashanah."
"Is that when you light a different coloured candle every night?" asks Mary.
"Oh no," says Hetty, "that's Chanukah."
"Then is it the one when you’re not allowed to eat any bread?" asks Mary.
"No, that's Passover," says Hetty, "Rosh Hashanah is when we blow the Shofar."
"That's really nice," says Mary, "that's what I admire about you Jewish people – you’re so good to the staff."
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A man walked into then ladies department and shyly walked up to the woman behind the counter and said, “I'd like to buy a bra for my wife.”

'”What type of bra?”, asked the clerk.

“Type?”, inquires the man, “There's more than one type?”

“Look around”, said the saleslady, as she showed a sea of bras in every shape, size, color and material imaginable.

“Actually, even with all of this variety, there are really only four types of bras to choose from.”

Relieved, the man asked about the types.

The saleslady replied: “There are the Catholic, Salvation Army, Presbyterian, and the Baptist types. Which one would you prefer?”

Now totally befuddled, the man asked about the differences between them.

The saleslady responded, "It is all really quite simple.

The Catholic type supports the masses.

The Salvation Army type lifts the fallen.

The Presbyterian type keeps them staunch and upright.

The Baptist type makes mountains out of molehills."

Bonus:

Oh and have you ever wondered why A, B, C, D, DD , E, F, G, and H are the letters used to define bra sizes?

If you have wondered why, but couldn't figure out what the letters stood for, it is about time you became informed!
{A} Almost Boobs.
{B} Barely there.
{C} Can't Complain.
{D} Dang!
{DD} Double dang!
{E} Enormous!
{F} Fake.
{G} Get a Reduction.
{H} Help me, I've fallen and I can't get up!
  
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FROM THE VAULT . . .

The crowd was getting ready to stone the prostitute when Jesus jumps up in front of them and says "Let he who is without sin cast the first stone."

A rock is thrown from the crowd and hits the woman on the head.

Jesus looks at the person who threw the stone and says, "Mother., sometimes you really piss me off..."
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Bonus item from the vault:

This has been posted previously in Bytes and seems spot on to me . . .


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LIMERICK OF THE WEEK . . .

Comment:

Whilst visiting Canberra I mentioned to father in law Noel that I needed to go to a shop in Tuggeranong, one of Canberra’s suburbs. This touched off a discussion about a limerick using that place name, Noel’s contribution being the second line.  Did I mention he is 93?

One other thing, although it is spelt Tug-ger-a-nong, the locals pronounce it Tug-gra-nong.

A lady from fine Tuggeranong
Had a particular liking for dong,
But her plans went awry
When she married a guy,
With only a miniscule schlong.

------😊😊😊----

GALLERY . . .









------😊😊😊----


CORN CORNER:
 _____________________________

So I'm at the wailing wall, standing there like a moron, holding my harpoon.
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Atheism and Religion are but two sides of the same coin.

One prefers to use its head, while the other relies on tales.
_____________________________

A church is a one story building.
_____________________________

Two stoners are talking about religion, "Dude. Did you know that like, uh, God, he has a name?" The other replies, "Really dude? No way!"
The first answers, "Yahweh!"


Thursday, March 5, 2020

Thought for the Day


I Read the News Today, Oh Boy . . . Toilet Paper and More



"I’d never been embarrassed to be related to anyone until today when I found out my mother is one of the Australians bulk buying toilet paper."
-Iggy Azalea
Australian rapper, singer, songwriter, resident in the US


Apparently we have become a laughing stock worldwide because of our obsession with binge-buying of toilet paper due to fear of the coronavirus, of being coronaed, as my wife Kate has termed it.

The buying: 

Residents in Sydney have besieged supermarkets and other commercial outlets to stock up on food and other items, as though the zombie apocalypse has happened and we need to barricade ourselves in our homes. 

Stores have been denuded of flour, rice, pastas, hand sanitiser and . . . toilet paper (???) . . .  the shelves looking like this: 







Woolworths Parramatta was put into lockdown when a knife was produced by a woman during a dispute over toilet paper. 


To paraphrase an old saying, you don't bring a knife to a toilet paper fight.

Not only toilet paper is being binge-bought and hoarded ; 


The silly part: 

The coronavirus does not cause bowel problems, persons ioronaed get flu like symptoms which can lead to chest problems and pneumonia, not lower down. 

Furthermore, the toilet paper manufacturers are located in Australia and have repeatedly advised that there is plenty available, that there is no need to buy in bulk and hoard. 

The memes: 

In this day of instant news dissemination, it doesn’t take long for memes and humour about situations to also be distributed world wide quicker than it takes Donald Trump to fire off a tweet about something that annoys him. 

Here are some . . .












Wednesday, March 4, 2020

Thought for the Day


Badass of the Month

During his early months at Alcatraz, Al Capone made an enemy by showing his disregard for the prison social order when he cut in line while prisoners were waiting for a haircut. James Lucas, a Texas bank robber serving 30 years, reportedly confronted the former syndicate leader and told him to get back at the end of the line. When Capone asked if he knew who he was, Lucas reportedly grabbed a pair of the barber’s scissors and, holding them to Capone’s neck, answered: “Yeah, I know who you are, greaseball. And if you don’t get back to the end of that fucking line, I’m gonna know who you were.”

Al Capone

James Lucas

There is an alternative version of the above incident, or perhaps a separate incident, or perhaps even the two accounts can stand together.  At any rate the below story is documented.


---oOo---

Lucas (912-1998) was originally sentenced to thirty years' imprisonment for robbing the First National Bank in Albany, Texas, and for violation of the Dyer Act (interstate trafficking of stolen vehicles). He arrived at Alcatraz in January 1935 from the Texas State Prison and was known there as James "Texas Bank Robber" Lucas.

---oOo---

On June 23, 1936, Lucas stabbed Al Capone in the back with a pair of scissors from the prison barber shop. Capone had been working in the laundry area 10 feet (3 m) away. Lucas was sent to solitary confinement for his attack on Capone. After being stabbed, Capone turned and grabbed Lucas and threw him into the wall. The inmates were angry with Capone for not taking part in an inmate strike.

---oOo---

In the spring of 1938, James Lucas, Thomas R. Limerick and Rufus Franklin planned an escape from Alcatraz. Their escape plan began by incapacitating an unarmed guard supervising a work detail on the top floor. Once the supervisor was rendered unconscious, the convicts would escape through a window to the rooftop, where they would incapacitate an armed guard and leave the island via a seized police boat. They enacted their escape plan on May 23, 1938 in the prison's mat shop, where they assaulted Custodial Officer Royal Cline with hammer blows to his head. They proceeded to the roof, where an armed guard shot both Franklin and Limerick, although Lucas wasn't shot. Other guards arrived at the scene. Franklin, Limerick, and Lucas were cornered and surrendered to the guards.

Cline died of his injuries the next day, and Thomas Limerick, one of the wounded convicts, also died. Lucas and the other surviving convict, Rufus Franklin, were tried for murder and sentenced to life imprisonment. Lucas spent six years in isolation for the incident. 


---oOo---

He was transferred a few years later, and paroled in 1958. Lucas had a brief stay in prison at McNeil Island for parole violation. He was given a presidential commutation of sentence and released. He later worked in the oil business and died in 1998 in Sacramento.


---ooO---




Tuesday, March 3, 2020

Thought for the Day


Old Pardon, the Son of Reprieve

Old Pardon, the Son of Reprieve

Oil on canvas by Pro Hart 

Andrew Barton “Banjo” Paterson (1864-1941), Australia’s national poet, is renowned for his poetry of the bush and for his best loved poem The Man from Snowy River. I posted that poem a few weeks ago when Kirk Douglas died, Douglas having had a dual role in the film version of the poem. 

Readers of Paterson’s poetry will know that he had a thing about horses, even his pen name – The Banjo – was after his favourite horse. It is is also interesting to note the names of the horses in his poems: Regret, Pardon, Reprieve. Any wonder, given that The Banjo was also a qualified lawyer, a solicitor. 

Remember the opening of The Man from Snowy River . . . 
There was movement at the station, for the word had passed around
That the colt from old Regret had got away,
And had joined the wild bush horses - he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stockhorse snuffs the battle with delight.  
There was Harrison, who made his pile when Pardon won the cup,
. . . . 
Did you know that there’s a prequel to that poem? 

It’s another poem by The Banjo and it’s called Old Pardon, the Son of Reprieve, the story of outsiders taking their horse to the Menindee races where it's the best result out of three races. Their horse is nobbled by the locals who try to make sure, the night before, that the horse cannot run. Pardon is quite ill in the first heat but, like the horse of The Man from Snowy River, puts in a mammothe effort in the last two heats.

----oOo----

Glossary: 

Johnnie, Johnny: an inexperienced new worker, usually an immigrant 
Never: The Never Never is a vast, remote area of the Australian Outback, 
Mameluke: Mameluke (1824 – 1849) was a British Thoroughbred racehorse and sire
Turon: The Turon River is part of the Macquarie catchment within the Murray–Darling basin 
Yattendon: a thoroughbred racehorse
Shindy: a noisy disturbance or quarrel
Docet: Latin for teaches 
Damper: a rough bush bread made with flour, water and salt, often in the coals of a campfire in the bush. (Btw, there's nothing better than stew and damper, or hot damper with jam).
Books: bookmakers, who covered the bets at the races

----oOo----

Old Pardon, the Son of Reprieve

         - Banjo Paterson

You never heard tell of the story? 
Well, now, I can hardly believe! 
Never heard of the honour and glory 
Of Pardon, the son of Reprieve? 
But maybe you're only a Johnnie 
And don't know a horse from a hoe? 
Well, well, don't get angry, my sonny, 
But, really, a young un should know. 
They bred him out back on the "Never", 
His mother was Mameluke breed. 
To the front -- and then stay there - was ever 
The root of the Mameluke creed. 
He seemed to inherit their wiry 
Strong frames -- and their pluck to receive -- 
As hard as a flint and as fiery 
Was Pardon, the son of Reprieve. 

We ran him at many a meeting 
At crossing and gully and town, 
And nothing could give him a beating -- 
At least when our money was down. 
For weight wouldn't stop him, nor distance, 
Nor odds, though the others were fast; 
He'd race with a dogged persistence, 
And wear them all down at the last. 

At the Turon the Yattendon filly 
Led by lengths at the mile-and-a-half, 
And we all began to look silly, 
While her crowd were starting to laugh; 
But the old horse came faster and faster, 
His pluck told its tale, and his strength, 
He gained on her, caught her, and passed her, 
And won it, hands down, by a length. 

And then we swooped down on Menindie 
To run for the President's Cup; 
Oh! that's a sweet township -- a shindy 
To them is board, lodging, and sup. 
Eye-openers they are, and their system 
Is never to suffer defeat; 
It's "win, tie, or wrangle" -- to best 'em 
You must lose 'em, or else it's "dead heat". 

We strolled down the township and found 'em 
At drinking and gaming and play; 
If sorrows they had, why they drowned 'em, 
And betting was soon under way. 
Their horses were good uns and fit uns, 
There was plenty of cash in the town; 
They backed their own horses like Britons, 
And, Lord! how we rattled it down! 

With gladness we thought of the morrow, 
We counted our wages with glee, 
A simile homely to borrow -- 
"There was plenty of milk in our tea." 
You see we were green; and we never 
Had even a thought of foul play, 
Though we well might have known that the clever 
Division would "put us away". 

Experience docet, they tell us, 
At least so I've frequently heard; 
But, "dosing" or "stuffing", those fellows 
Were up to each move on the board: 
They got to his stall -- it is sinful 
To think what such villains will do -- 
And they gave him a regular skinful 
Of barley -- green barley -- to chew. 

He munched it all night, and we found him 
Next morning as full as a hog -- 
The girths wouldn't nearly meet round him; 
He looked like an overfed frog. 
We saw we were done like a dinner -- 
The odds were a thousand to one 
Against Pardon turning up winner, 
'Twas cruel to ask him to run. 

We got to the course with our troubles, 
A crestfallen couple were we; 
And we heard the " books" calling the doubles -- 
A roar like the surf of the sea. 
And over the tumult and louder 
Rang "Any price Pardon, I lay!" 
Says Jimmy, "The children of Judah 
Are out on the warpath today." 

Three miles in three heats: -- Ah, my sonny, 
The horses in those days were stout, 
They had to run well to win money; 
I don't see such horses about. 
Your six-furlong vermin that scamper 
Half-a-mile with their feather-weight up, 
They wouldn't earn much of their damper 
In a race like the President's Cup. 

The first heat was soon set a-going; 
The Dancer went off to the front; 
The Don on his quarters was showing, 
With Pardon right out of the hunt. 
He rolled and he weltered and wallowed -- 
You'd kick your hat faster, I'll bet; 
They finished all bunched, and he followed 
All lathered and dripping with sweat. 

But troubles came thicker upon us, 
For while we were rubbing him dry 
The stewards came over to warn us: 
"We hear you are running a bye! 
If Pardon don't spiel like tarnation 
And win the next heat -- if he can -- 
He'll earn a disqualification; 
Just think over that now, my man!" 

Our money all gone and our credit, 
Our horse couldn't gallop a yard; 
And then people thought that we did it 
It really was terribly hard. 
We were objects of mirth and derision 
To folks in the lawn and the stand, 
Anf the yells of the clever division 
Of "Any price Pardon!" were grand. 

We still had a chance for the money, 
Two heats remained to be run: 
If both fell to us -- why, my sonny, 
The clever division were done. 
And Pardon was better, we reckoned, 
His sickness was passing away, 
So we went to the post for the second 
And principal heat of the day. 

They're off and away with a rattle, 
Like dogs from the leashes let slip, 
And right at the back of the battle 
He followed them under the whip. 
They gained ten good lengths on him quickly 
He dropped right away from the pack; 
I tell you it made me feel sickly 
To see the blue jacket fall back. 

Our very last hope had departed -- 
We thought the old fellow was done, 
When all of a sudden he started 
To go like a shot from a gun. 
His chances seemed slight to embolden 
Our hearts; but, with teeth firmly set, 
We thought, "Now or never! The old un 
May reckon with some of 'em yet." 

Then loud rose the war-cry for Pardon; 
He swept like the wind down the dip, 
And over the rise by the garden 
The jockey was done with the whip. 
The field was at sixes and sevens -- 
The pace at the first had been fast -- 
And hope seemed to drop from the heavens, 
For Pardon was coming at last. 

And how he did come! It was splendid; 
He gained on them yards every bound, 
Stretching out like a greyhound extended, 
His girth laid right down on the ground. 
A shimmer of silk in the cedars 
As into the running they wheeled, 
And out flashed the whips on the leaders, 
For Pardon had collared the field. 

Then right through the ruck he was sailing -- 
I knew that the battle was won -- 
The son of Haphazard was failing, 
The Yattendon filly was done; 
He cut down The Don and The Dancer, 
He raced clean away from the mare -- 
He's in front! Catch him now if you can, sir! 
And up went my hat in the air! 

Then loud fron the lawn and the garden 
Rose offers of "Ten to one on!" 
"Who'll bet on the field? I back Pardon!" 
No use; all the money was gone. 
He came for the third heat light-hearted, 
A-jumping and dancing about; 
The others were done ere they started 
Crestfallen, and tired, and worn out. 

He won it, and ran it much faster 
Than even the first, I believe; 
Oh, he was the daddy, the master, 
Was Pardon, the son of Reprieve. 
He showed 'em the method of travel -- 
The boy sat still as a stone -- 
They never could see him for gravel; 
He came in hard-held, and alone. 

* * * * * * * 

But he's old -- and his eyes are grown hollow 
Like me, with my thatch of the snow; 
When he dies, then I hope I may follow, 
And go where the racehorses go. 
I don't want no harping nor singing -- 
Such things with my style don't agree; 
Where the hoofs of the horses are ringing 
There's music sufficient for me. 

And surely the thoroughbred horses 
Will rise up again and begin 
Fresh faces on far-away courses, 
And p'raps they might let me slip in. 
It would look rather well the race-card on 
'Mongst Cherubs and Seraphs and things, 
"Angel Harrison's black gelding Pardon, 
Blue halo, white body and wings." 

And if they have racing hereafter, 
(And who is to say they will not?) 
When the cheers and the shouting and laughter 
Proclaim that the battle grows hot; 
As they come down the racecourse a-steering, 
He'll rush to the front, I believe; 
And you'll hear the great multitude cheering 
For Pardon, the son of Reprieve 

----oOo----

And there you have it, the story of Harrison, who made his pile when Pardon won the cup.