Wednesday, April 20, 2011

Wheat Pics...

  

I have often posted photographs of Sydney’s streets and building as they appeared years ago. There are just as many, if not more, photographic images of rural Australia in bygone days: woodcutters, bullock drays, paddle steamers, hay bales, shearing and so on.

Old photographs of haystacks and wheat stacks of bagged wheat at railway stations are fascinating to a city boy such as myself, who is more familiar with the haystacks of Monet and Van Gogh than those of rural New South Wales and Victoria.  Hopefully the following slection of pics will be as fascinating for you as well.

(Byter Mick from Canowindra told me that wheat at railway stations is now stored in specially built sheds).

(Click on the photographs to enlarge;  in some cases clicking on the enlarged image will further increase the size).
Building a wheatstack 1922

Tuesday, April 19, 2011

Movie Moments: #8



Agent Smith (Hugo Weaving):

"I'd like to share a revelation that I’ve had during my time here. It came to me when I tried to classify your species, and I realised that humans are not actually mammals. Every mammal on this planet instinctively develops a natural equilibrium with the surrounding environment; but you humans do not. Instead you multiply, and multiply, until every resource is consumed. The only way for you to survive is to spread to another area. There is another organism on this planet that follows the same pattern... a virus. Human beings are a disease, a cancer on this planet, you are a plague, and we... are the cure."

The Matrix (1999).


(Agent Smith, in the Matrix movies, is  programmed to keep order within the system by terminating humans who would bring instability to the simulated reality, as well as any rogue programs that no longer serve a purpose to the machine collective.  The number plate of Agent Smith's car in The Matrix Reloaded is IS 5416, which is a reference to Isaiah 54:16 in The Old Testatment, the source of Smith's name for the movie: 
"Behold, I have created the Smith that bloweth the coals in the fire, and that bringeth forth an instrument for his work; and I have created the waster to destroy.") 


Monday, April 18, 2011

Some Thoughts on Doing One's Best...

  

Doing the best at this moment puts you in the best place for the next moment.
- Oprah Winfrey

We have to do the best we can. This is our sacred human responsibility.
- Albert Einstein

When we do the best that we can, we never know what miracle is wrought in our life, or in the life of another.
- Helen Keller

Do what you can, with what you have, where you are.
- Theodore Roosevelt

A problem is a chance for you to do your best.
- Duke Ellington

You have to accept whatever comes and the only important thing is that you meet it with the best you have to give.
- Eleanor Roosevelt

Do not allow yourselves to be disheartened by any failure as long as you have done your best.
- Mother Teresa


Movie Moments: #7


Caution: risque language


Stanley Goodspeed (Nicholas Cage): I'll do my best.

John Mason (Sean Connery): Your "best"! Losers always whine about their best. Winners go home and fuck the prom queen.

The Rock (1996)

Sunday, April 17, 2011

Doublespeak and Lawyers



Doublespeak:

A statement that is not literally false but that cleverly avoids an unpleasant truth.
The Free Online Dictionary

Any language deliberately constructed to disguise or distort its actual meaning, often by employing euphemism or ambiguity. Typically used by governments or large institutions.
Wiktionary

Real estate advertising has its own language. “Cosy’ usually means ‘tiny’, ‘in need of some care’ means ‘decrepit’ and ‘water views’ can mean anything from overlooking the beach to being located next to a canal. School teachers are masters at this form of doublespeak, where what is said is technically accurate but disguises the reality, so that ‘contributes greatly to class interaction’ means that Johnny is constantly disruptive and that ‘fantastic imagination’ means that Sally tells fibs. The military calls being killed by your own side as ‘friendly fire’ and killing civilians as ‘collateral damage’.

Solicitors and barristers frequently use their own form of doublespeak in court in criminal proceedings, which is not all that surprising given that they are sometimes cynically referred to as “rent a mouth”. Judges and magistrates likewise may mean something quite different from their spoken words.

The following was emailed to me by my son Thomas, himself a padawan lawyer:


Judges and barristers translated:

“The prosecution request six weeks for service of committal papers.”
The prosecution need six months for service of committal papers.

“Police enquiries are continuing”
There isn’t a lot of evidence against this defendant.

Movie Moments: #6



Otis B Driftwood: It's all right, that's in every contract. That's what they call a sanity clause.
Fiorello: You can't fool me! There ain't no Sanity Claus!

(Groucho Marx (Otis B Driftwood) and Chico Marx (Fiorello)

A Night at the Opera (1935)



Friday, April 15, 2011

What?? No Bytes on Sunday?



There will be no Bytes this Sunday but it will be back on Monday.


Twilight Zone: Part 3



The final 5 of the best pisodes of The twilight Zone...


5. Walking Distance

Opening narration:
Martin Sloan, age thirty-six. Occupation: vice-president, ad agency, in charge of media. This is not just a Sunday drive for Martin Sloan. He perhaps doesn't know it at the time, but it's an exodus. Somewhere up the road he's looking for sanity. And somewhere up the road, he'll find something else

Story:
A middle-aged man, Martin Sloan), is driving cross-country when he stops his car at a gas station. He walks toward his hometown, Homewood, that the attendant assures him is within walking distance. Homewood appears exactly as it was when he was a boy. He goes into a dugstore, and has an ice cream soda at the soda fountain while recalling his memories from the past. He says "One of the greatest memories I have is old man Wilson, may God rest his soul, sleeping in his comfortable chair just like he did before he died". The clerk looks at Sloan oddly but says nothing. After Sloan leaves the store, the cashier goes up to a room where Mr. Wilson is sleeping and says "We'll need more chocolate syrup, Mr. Wilson." He responds by saying "I'll order some more of it this afternoon."

Sloan continues walking until he eventually sees himself as a boy, and following him home, meets his parents. Trying to convince his parents that he is their son from the future, he succeeds only in alarming the disbelieving couple who tell him to leave. He finds his childhood self on a carousel, and tries to warn his younger self to enjoy his childhood before it is too late. His advances scare young Martin, who falls off the merry-go-round and injures his leg. Sloan is then confronted by his father who, having seen the papers in Sloan's wallet with its dollar bills from the future, now believes his story. His father advises him that everyone has their time, and that he should look to the future rather than to the past, because the happiness he is seeking may be in the places he hasn't looked yet. Sloan finds himself back in his own time, now walking with a limp, but resigned again to his life as it is.

Closing narration:
Martin Sloan, age thirty-six, vice-president in charge of media. Successful in most things but not in the one effort that all men try at some time in their lives - trying to go home again. And also like all men perhaps there'll be an occasion, maybe a summer night sometime, when he'll look up from what he's doing and listen to the distant music of a calliope, and hear the voices and the laughter of the people and the places of his past. And perhaps across his mind there'll flit a little errant wish, that a man might not have to become old, never outgrow the parks and the merry-go-rounds of his youth. And he'll smile then too because he'll know it is just an errant wish, some wisp of memory not too important really, some laughing ghosts that cross a man's mind, that are a part of the Twilight Zone.

Movie Moments: #5



"No patty fingers, if you please. The proprieties at all times."

Barry Fitzgerald
(Michaleen Oge Flynn)

The Quiet Man (1952)


Thursday, April 14, 2011

Quote: Carl Sagan


Yesterday I posted a brief quote by Carl Sagan.  A longer one follows but it is well worth the read:

"Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.

Movie Moments: #4



“There's not a day goes by I don't feel regret. Not because I'm in here, or because you think I should. I look back on the way I was then: a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try and talk some sense to him, tell him the way things are. But I can't. That kid's long gone and this old man is all that's left. I got to live with that. Rehabilitated? It's just a bullshit word. So you go on and stamp your form, sonny, and stop wasting my time. Because to tell you the truth, I don't give a shit.”

Morgan Freeman
(Ellis Boyd “Red” Redding)

The Shawshank Redemption (1994)


Star Stuff...



We are stardust
We are golden
And we’ve got to get ourselves
Back to the garden

We are stardust
Billion year old carbon
We are golden
Caught in the devils bargain
And we’ve got to get ourselves
Back to the garden

-  Joni Mitchell
Woodstock


Every atom in your body came from a star that exploded. And, the atoms in your left hand probably came from a different star than your right hand. It really is the most poetic thing I know about physics: You are all stardust. You couldn’t be here if stars hadn’t exploded, because the elements – the carbon, nitrogen, oxygen, iron, all the things that matter for evolution and for life – weren’t created at the beginning of time. They were created in the nuclear furnaces of stars, and the only way for them to get into your body is if those stars were kind enough to explode. So, forget Jesus. The stars died so that you could be here today.

- Lawrence Krauss


Wednesday, April 13, 2011

Movie Moments: #3



“How could this happen? I was so careful. I picked the wrong play, the wrong director, the wrong cast. Where did I go right?”

Zero Mostel
(Max Bialystock)
The Producers (1968)

Tuesday, April 12, 2011

Kalidasa



Look to this day!
For it is life, the very life of life,
In its brief course
Lie all the verities and realities of your existence:
The bliss of growth,
The glory of action,
The splendour of beauty,
For yesterday is but a dream
And tomorrow only a vision,
But today well lived makes every yesterday
a dream of happiness
And every tomorrow a vision of hope.
Look well, therefore, to this day!
Such is the salutation of the dawn.

Kalidasa (“servant of Kali”) was a renowned Classical Sanskrit writer, widely regarded as the greatest poet and dramatist in the Sanskrit language. Although little is known of his life, he is believed to have lived in the period 370-450 AD and is considered to hold a place in Sanskrit literature equivalent to the esteem in which Shakespeare is held in English literature.

Reader comment: Angel Place


Byter Charles comments:

I was troubled by the 1930s photo because I thought I had recently seen the image which was not consistent with the modern photos you have reproduced.

To assuage my curiosity, I have just visited Ash Street and the buildings there are essentially as they were in the 1930s. The earlier photo was taken from the northern end looking south. Much of Ash Street is now occupied by al fresco dining (Felix Restaurant is one of the major venues).

Ash Street is a dead end, although pedestrians can access George Street though a laneway. Perhaps it was an open road when the earlier photo was taken, otherwise the car would have had to do a fair bit of manoeuvring to turn around (without power steering).

(Maybe Ash Street was part of Angel Place in the 1930s - hence the confusion?).
Charles is probably right.  My identification of the photograph as Angel Place was taken from the source, the State Library of NSW:

A quite large version of the image can be viewed by clicking on:

Otto

Movie Moments: #2



“I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time... like tears in rain... Time to die.”

Rutger Hauer
(Roy Batty)
Blade Runner (1982)

Sydney Past

(Click on the images to enlarge).

A wonderfully evocative image of a wet Angel Place, Sydney, in the 1930’s taken by photographer Sam Hood. It looks like something out of The Untouchables. A beautiful and eerily haunting photograph.


Angel Place today:





Monday, April 11, 2011

Movie quotes...



Have you ever noticed that hearing a line from a movie can stir memories of when you first saw it, who you were with, how you liked the movie and that it will often create an immediate desire to watch the movie again.  I felt like that when the death of director Sidney Lumet was announced last weekend and the TV stations played the Howard Beale "I'm mad as hell and I'm not going to take this anymore" scene from Network.  So, from now on, there will be a Bytes bonus, a daily movie quote with a pic and movie poster - famous lines, nostalgic ones, funny quotes and those which carry you back, the first one being probably the most famous in moviedom...


Movie Moments: #1



"Frankly, my dear, I don't give a damn."

Clark Gable
(Rhett Butler)
Gone With the Wind (1939)

Sunday, April 10, 2011

Reader Comment

Email from Byter Philip, commenting on the post about help desk complaints:

In relation to the so called help staff, I employed a young bloke once who worked for a technology support company as a field technician. He told us how he would go out to people and that the company had a code for simple jobs to charge the account. He said that when they would arrive at the site and discover that there was actually nothing wrong, they would phone in the job as a PEBKAC problem. The PEBKAC stood for “problem exists between keyboard and chair”, being the operator.